The addition of cinema-style camera bags was a major boost for f-stop’s lineup.Ĭompact-ish cinema cameras, like REDs or Sonys, are becoming more and more common in action sports, and their high price tag and the demanding situations they are used in require all the more protection. As cameras and gear have progressed, it’s only natural that they demand a different kind of bag. I can't count how many bags I’ve cut apart and used makeshift block configurations just so I could fit my camera body into the bag. A series of various sized pockets on top of the Tilopa make organizing easy.Īs a filmmaker, I’ve come to realize that most camera bags are made for a still photography setup. With an integrated laptop sleeve, it's easy to pack a whole mobile studio. F-stop is known for their simple and practical designs, and the Tilopa is no exception. Sometimes it’s easy to pack this bag with a little too much gear. Set it up with a small ICU to have room for gear for an overnight trip, or with the XL ICU to carry every possible piece of camera equipment you can dream up. It can fit all Internal Compartment Units (ICU) save for the largest, and has the option to fit everything from tripods to skis. The Tilopa is the third largest bag in f-stop’s Mountain series, and very blatantly designed to be able to adapt to any situation. I remember seeing f-stop’s early bags and thinking, “That’s what a camera bag should look like.”įrom the beefy hip straps and functional pockets to the internal aluminum frame, it was apparent that f-stop has been thinking about the camera bag from an extremists’ perspective. No bags catered to action sports photographers and filmmakers, ones that could withstand the rugged demands of shooting outdoors and in extreme conditions. When f-stop first came onto the scene in 2006, it was very apparent they had a fresh take on what a camera bag should be.Īt the time, there was a void in the camera bag world.
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